Technically, it was Paul and Linda McCartney, since this album was very much a collaboration between them. Some of the material was of the standard we expected ("Monkberry Moon Delight," "The Backseat of My Car," "Uncle Albert/AdmiralHalsey"), but somehow it all seemed entirely too whimsical, as if they'd spent a bit too long isolated on the farm. It was the expectations that were the problem, of course. Paul was simply making a lighthearted album, and we wanted earth-shaking pronouncements. Take Ram on its own terms (i. e. , fun), and it's throughly enjoyable. -Chris Nickson.

Where would the '80s have been without the Pet Shop Boys? Discography makes a compelling case for the notion of Neil Tennant and Chris Lowe as pioneers, if not geniuses. Mixing the cold feel of Euro-techno beats with the Boys' quest for something warm between the sheets, "What Have I Done to Deserve This" and "Suburbia" sound almost soulful. Although they seemed to be suffering from a terminal case of boredom, they managed to alchemize their ennui into touching sentimentality in "Love Comes Quickly," "Rent," and, especially, the AIDS-oriented "Being Boring. " Discography begins with the Pet Shop Boys' beginning, "West End Girls," traveling past "Domino Dancing" and including their covers "Always on My Mind," and the medley "Where the Streets Have No Name (I Can't Take My Eyes Off of You. )" -Steve Gdula.

First of all, hats off to Bon Jovi for trying something different with This Left Feels Right-a selective collection of their most popular songs with a twist. That twist isn't a purely acoustic reworking, MTV unplugged style-anybody looking for that experience will be sorely disappointed by what's on offer. What Bon Jovi have done is re-record these songs in a completely different way while maintaining the original lyrics, melody and song structure. What's different then? Well, quite a bit actually. Check out the almost trip-hop beat and distorted vocal of "Wanted Dead or Alive", or the lazy soul of "Livin' on a Prayer". "It's My Life" is a beautiful piano-only standout, almost worth having the whole album for. The tracklisting isn't perfect, concentrating largely on their 1980s period (there's nothing from These Days, for instance). As such, the venture works as an effective cheese-extraction exercise, keeping the elements that made the originals so great, but removing shouty, hairspray-fuelled "whoa-yeahs". What we get is something that is closer to Jon Bon Jovi's last solo offering-the criminally underrated Destination Anyway. It doesn't always work ("Bed of Roses" just sounds like a warbling cover of the powerful original and by the time they reach "Always" it's obvious they've run out of new twists), and no doubt there will be legions of bemulleted faithfuls who will denounce this as blasphemy of the highest order. [+]